Alaska Yukon Pacific Exposition 1909 was created for WoodMetalWater, the inagural show of Redhead Gallery in New York.

My goal was to create a thematic peice that was interactive without being digital.

The use of powdered graphite to create a record of the movement of the pendulums was the first instance in which audience members were confronted with the ability to mark the wall surrounding my work.

This interaction transfromed the initially pristine gallery wall into a repository of not only arcs of graphite, but hand prints, drawings and initials.